Free Writing Resources Online

FreeSo you think you have to spend thousands of dollars on books and classes in order to learn how to write? Well, you probably will over the years, but there are also some great free resources you can use right now to either get yourself writing kick-started for the first or 400th time. Here’s a selection of some awesome free writing resources I’ve found:

Writer’s Digest Free Downloads:

Including blogging to setting deadlines to plagiarism to grammar rules for novelists, there’s a lot of great information here, for FREE. Most of these are excerpts from Writer’s Digest books on writing, but they’ve got some excellent books on writing so jump right in!

10 Universities Offering Free Writing Classes:

Note: A lot of these are geared towards academic writing, but there are some fiction courses here. Some of these are youtube videos of classes while others seem to be online classes. I haven’t tried any of these, but it looks pretty neat.  If you have done any of these courses, please let me know what you thought in the comments.

My only caveat for any and all classes is try out new techniques and approaches, but don’t take anything as gospel. Otherwise you end up like me when I first began writing, starting every fiction piece with a dead body on the floor because that’s how you hook the reader… One of my favorite writing professors often says (paraphrased), “There are no rules for writing. There only the rules you find for yourself, but every writer, once finding her rules will then cheerfully and from the best place work to hammer them into everyone as though they are ‘the rules.'”

10 Amazing Free Writing Courses:

These are geared to the freelance writer, which you might be doing as you work on your great fiction opus, so it’s worth taking a look at.

And a grab-bag of daily writing prompts:

30 Sci-Fi Writing Prompts:

 Creative Writing Prompts for Sci-Fi & Fantasy Lovers:

 Daily Science Fiction and Fantasy Writing Prompts:

 Writing Prompts That Don’t Suck:

And here’s my personal favorite:


I’ve been doing Nanowrimo almost every year (I took a year off in Japan) since I read Chris Baty’s Book “No Plot, No Problem” years ago (I don’t remember how many, but at least six). The best thing about Nanowrimo is you can do it any month of the year (though in November, you get the fun of doing it with a whole world of writers). Not only have I written four and a half novels through Nanowrimo, it has really given me a different relationship with my prose. I’m not so wedded to creating the perfect sentence or even chapter, but instead I understand that the book has to be finished before you can edit it. This doesn’t work for everyone, but if you’re in a rut, it’s a fun, high intensity way to kick yourself out of it. Most of Nanowrimo is volunteer organized with forums and local events in your area. I’ve met some wonderful friends all over the world doing Nanowrimo. Give it a shot, you won’t regret it, and all it costs is time and a clean house 🙂

So here’s some weapons for your arsenal! Check it out, put your butt in the chair and get that writing in gear!


Frozen – How to Beat the Blank Page!

What do you do when you sit down in front of that blank piece of paper, blank screen, or partially complete manuscript and you have nothing, I mean NOTHING to say? Let’s face it, this is an experience we’ve all had as writers, especially fiction writers. Whether you’re just starting a story or smack in the middle of it, we’ve all frozen up.

shutterstock_63759181And after the freezing comes the fear:

  • Is this story wrong?
  • Will I ever have a good idea again?
  • Do I just suck as a writer?

After years of writing, I’ve found the source of my deep freeze usually stems from two areas:

1. Am I missing something I need to know about my world?

  • This applies both to realistic and fantastic fiction, though your approach to answering that question may differ. For example, in a recent, non-speculative fiction novel, I had to write a scene about a man who was having a heart attack. The story was set in modern day, but characters had neither a working cell phone nor a landline telephone. I had a number of characters on the scene, one who was trained in CPR. My story got stuck rather quickly because I needed some basic information: (a) how long could a person be under CPR before being reasonably revived (b) how long a person could perform CPR without succumbing to exhaustion (c) how far the runner would need to go in order to find someone with a working cell-phone? A bit of research into the terrain and the intricacies of CPR and I was good to go!
  • The same thing can apply more deeply. For example, is your magical system unclear? What do people eat in your world, what are the obligations of a host to a guest, how long does it take to travel from village A to B and etc. Sometimes the answer is just learning more about your world, whatever it is. The danger of this, of course, is spending the next two weeks playing the research game. So how do you escape this trap? For me, I always ask myself, what is the minimum I need to know to write the scene? Get specific. For example, I need to know what the obligation of a host is to a particular guest, but only insofar as it’s relevant to the scene at hand. I can fill in the rest later, should it become relevant. The more important a detail is to your story, the more you need to fill it in, but if it’s a minor thing, don’t spend more than a ten or fifteen minutes looking/making it up.

So how do get yourself unfrozen when faced with a world building problem? Here is my favorite site for developing my world: Patricia Wrede’s Fantasy Worldbuilding Questions. It is VERY detailed, and I don’t start with doing everything here, but I try to touch on the high points as I like to have a fair amount of worldbuilding done before I start writing. I also find that these questions apply just as well to science fiction as to fantasy worlds.


2. Am I missing something I need to know about a character in the scene?

  • Main character: Is there something important that I don’t “know” about my main character that I need to know in order to start this story/write this scene? Do I know enough about this person’s past in order to understand her present? Do I have a good feel for her voice?
  • Supporting Characters: Is there something I need to know about non-main character in the scene? I especially love to ask this of minor characters. What’s the butler’s story? How about that kid in the corner shining shoes? The fool? The family dog? The most important question for me about minor characters is “what do they want?” Either that or, “what is their secret”. Both of these are fun. Even something as simple as the man serving wine wants to get back to the kitchen and see his  boyfriend gives me some idea of how he’s acting in the scene. His boyfriend is the main character’s brother makes things even more fun.

So how do you learn more about your characters? For me, the best method for finding out what I’m missing is to do a character journal. If it’s a main character, I’ve generally done a character journal either before I start the book or at least somewhere in Chapter 1. But for minor characters, I may not know anything about them at all. So my first step is to look at each minor character and ask myself, “What are you doing in this scene? Why are you here?” and most importantly, “What do you want?” or “what is your secret?” Usually my instincts for this are pretty good, and it only takes 1-2 characters for me to find out who the important (seemingly unimportant) person in the scene is. Once I know who this person is, what they want, and what they’re hiding, the scene usually gets unstuck rather quickly and it’s full speed ahead!

My favorite resource for character journaling is in Alice Orr’s book No More Rejections. I’ve used the character journaling techniques in this book for over a decade and they’ve work for me. What I like about her approach is that you answer the question in the first person and there are many questions like, “I think my best feature is ____” which allows you to really get into the psychology of how the character feels about herself as opposed to merely a physical list of traits. I’ve applied this approach to character lists I’ve found for free online, but hers is the best, in my opinion.


So that’s my approach, first I check my world, and then I check my characters. What do you do to get unstuck? Feel free to post in the comments below.